Henry L. Self, III, (Associate) born Kansas City, Missouri, December 1977; admitted to bar, 2002, California.
Education: University of Missouri-Columbia (B.J., 1999); University of California at Los Angeles School of Law (J.D., 2002). Articles Editor and Staff Member, UCLA Entertainment Law Review.
Honors: UCLA School of Law Moot Court Honors Program National Team; Recipient: Melville B. Nimmer Memorial Scholarship.
Articles: Co-Author: “Schwarzenegger vs. Bobbleheads: The Case for Schwarzenegger,” 45 Santa Clara L. Rev. 557 (2005); Author: “Settlement of Infringement Claims by Copyright Co-Owners,” 13 Tex. Intell. Prop. L.J. 65 (2004). Author: “Moral Rights and Musicians In the United States”, 2003-2004 Entertainment, Publishing and the Arts Handbook 165 (2003). Author: “Digital Sampling: A Cultural Perspective,” 9 UCLA Ent. L. Rev. 347 (2002).
Published cases: Catherine Zeta-Jones v. Spice House, 372 F. Supp. 2d 568 (C.D. Cal. 2005); Sybersound Records, Inc. v. UAV Corp., 517 F.3d 1137 (9th Cir. 2008).
Member: Los Angeles County & Century City Bar Associations; State Bar of California; The Recording Academy; Board of Directors, Create: Fixate Arts Organization.
Practice Areas: Entertainment Litigation; Business Litigation; Right of Publicity; Right of Privacy; Libel, Slander and Defamation; Copyright.
Music Supervisor: Making Your Mark (2010); The Third Rule (2010); Beneath the Dark (2010); 48 Hours a Week (2010); The Polo Kid (2009); Intervention (2008); All the Boys Love Mandy Lane (2006); Shards (2004).
Associate Producer: LYNCHthree (2012); Model LA (2011).
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